In this probing article, CLC staff writer Faith Martin delivers an insightful commentary on the hidden background of Yugoslav Turbofolk. She explores the historical, political and societal facets of this genre and, in doing so, uncovers the secrets of this unique musical movement.

In this whistle stop tour of Yugorock, European Staff Writer Kirsty Turnbull delivers an enthusiastic and engaging introduction to the Yugoslav rock scene of the 1980s. From politics to playlists, this article covers it all.

Unsure of how to improve your Russian? Fear not, Camille McCarthy will ease you gently into the world of Russian-language music. Beginning with pop and Pussy Riot, and making apt recommendations for lovers of Rex Orange County and Drake fans alike, this piece will set you on a path to Russian music Nirvana (no pun intended).

Camille McCarthy gives us her thoughts on consuming Russian culture in an ethical way. Her thought-provoking manifesto encompasses the legacy of empire and the regime’s official patronage initiatives, as well as the thorny question of how to define a nation’s culture.

Kasia Pendlebury tells you why you should be listening to Rosalía’s latest album, Motomami - and not just because of its TikTok fame.

Anja Gogo explores the serendipity of discovering Madame’s musical existence, by analysing how fascinating the evolution of her introspective persona was (and continues to be).

Through a historical lens and a deep-dive into symbolism, Anja Gogo unravels the musical gomitolo that is Bella Ciao, a resistance anthem per eccellenza.

Daphne Pleming reviews the album ‘Nonante-cinq’ by Angèle, exploring the way she expresses Belgian identity through her melancholic and diverse music.

Daphne Pleming reviews the album Primetime by Strandhase, an upcoming German band who could might be able to raise the profile of German pop music.

Isabella Fahey reviews ROSALÍA and Tokischa’s track Linda, and the controversies which surround it, arguing the need for social awareness when consuming creative content.