In her thoughtful account, Michelle Schreiber describes the Leipzig book fair— from its unannounced backyard readings, to its awards, she covers it all, and does so both in German and in translation.

German editor Freya Swinburne takes us on a tour of the German memorial landscape as she traces forgotten pasts through Gunther Deming’s Stolpersteine.

In this German language article, German Editor Freya Swinburne reviews Edward Berger’s highly acclaimed ‘All Quiet on the Western Front.’ In her broad analysis of this cinematic spectacle, she explores the extent to which the film fits the war film formula, and its significance for modern German culture.

In this thoughtfully considered article, staff writer Beattie Green sensitively reviews Olivia Wenzel’s debut novel 1000 Serpentinen Angst. In doing so, she explores the questions it raises, which, in some way or another, come to affect all of us.

Staff writer Ollie Merriman explores the intercultural dynamics that converge on Strasbourg. In his explorations of the culture, architecture and history of this French border city, Ollie not only considers the identity of Strasbourg itself, but, rather, Europe as a whole.

Sofia Johanson, editor of the Russia, Eastern Europe and Central Asia section, comments on the ascendance of the far-right in Germany with the help of a novel published in 1947.

In her article Imogen Barnes unearths the sinister side of the original versions of classic German fairytales written by the Grimm brothers, but also the dark side still lurking in their modified current forms.

In the second instalment of his column, Sam Russell Lewis investigates whether a scandalous history will dampen the impressive financial performance of Germany’s most prominent lender, Deutsche Bank.

Looking beyond the aesthetic value of street art, Freya Swinburne delves into the social, cultural and political meanings behind the numerous forms of graffiti found in Berlin.

In the first instalment of his column, Sam Russel Lewis delves into the economic factors at play in the volatile financial landscape of Germany.

With a high level of English-proficiency in Germany, Miranda Stephenson explores why the costly process of dubbing foreign films is still in practice.

Wiktoria Mól discusses Germany’s response to the conflict in Ukraine and explores its cautiousness to avoid repeating history.

Rebecca Nolten writes about Germany’s artists and how their work has lacked appreciation in art history.

Following a spate of lockdowns and cancelled trips to Amsterdam, Anna Whitehead discusses the delights and challenges of studying Dutch during the pandemic.

Cassie Penny looks into why the Saxon accent is so unpopular in Germany and why this attitude should be changed.

Daphne Pleming reviews the album Primetime by Strandhase, an upcoming German band who could might be able to raise the profile of German pop music.

Daphne Pleming explores the sustainable fashion scene in Berlin, looking at different German fashion brands and their approaches to sustainable fashion.

Tom Taylor explores the role Angela Merkel has played in German, European and world politics in the past two decades and the legacy she has left behind.

Anna Whitehead explores Vienna, Erinnerungskultur and The Lost Café Schindler.