Angèle’s Nonante-Cinq is an ode to Belgium - and to melancholy
Daphne Pleming reviews the album ‘Nonante-cinq’ by Angèle, exploring the way she expresses Belgian identity through her melancholic and diverse music.
Enter Winter in Sokcho, Elisa Shua Dusapin’s luminous, icy debut
Daphne Pleming reviews Elisa Shua Dusapin’s book Winter in Sokcho, exploring how the author prompts us to consider how we perceive ourselves and the people around us.
In search of German-language pop music - a review of the album Primetime by Strandhase
Daphne Pleming reviews the album Primetime by Strandhase, an upcoming German band who could might be able to raise the profile of German pop music.
Could Berlin be the European flagship for sustainable fashion?
Daphne Pleming explores the sustainable fashion scene in Berlin, looking at different German fashion brands and their approaches to sustainable fashion.
Ich bin dein Mensch: Maria Schrader’s film subverts convention and pokes holes in the fabric of reality
Daphne Pleming reviews Maria Schrader’s film Ich bin dein Mensch which subverts the typical rom-com genre through the use of robots.